Older methods, kept because they work. — Ruen Thong

Made by hand, in one house

Older methods, kept because they work.

Woven, thrown, and painted by the same families we have bought from for two generations.

What we sell

Cloth, clay, and lacquer.

Small runs from a handful of workshops, restocked when they are ready rather than on a schedule.

A row of handmade celadon and terracotta vessels on a teak table
Clay, thrown and fired in Lampang
I

Cloth

Handwoven silk and cotton, indigo dyed

II

Clay

Celadon and terracotta, small kilns

III

Lacquer

Black and gold, built up over months

A weaver passing the shuttle through indigo and gold warp threads
Khun Suree at the floor loom

Who makes it

Every piece has a name behind it.

The weaver, the potter, and the painter, each credited on the piece they finished.

  1. IKhun Suree, WeaverSurin, since 1998
  2. IIKhun Boon, PotterLampang, since 2004
  3. IIIKhun Anong, Lacquer painterChiang Mai, since 1991
  4. IVKhun Pisit, Basket makerNan, since 2011
  5. VKhun Malee, Indigo dyerSakon Nakhon, since 2007

Where it comes from

Named villages, named hands.

We record the province, the workshop, and the month a piece left the bench.

Province
Sakon Nakhon
Workshop
Ban Nong Sung, house of Khun Malee
Left the bench
March 2026
Materials
Cotton, natural indigo, no fixative
Handwoven indigo silk shot through with fine gold weft
Indigo ground, gold weft, slubs left in

Come to the house

The shop is the old front room.

Open every day but Monday, with tea and no obligation to buy anything.

Concept action / No visit is arranged

The open veranda of the teak house in late afternoon
Ruen ThongA fictional concept preview